Production and installation
Dhaka Art Summit
2014–Present
Dhaka Art Summit is one of the most important platform for South Asian art in the region that promotes artistic engagement between Bangladesh and the rest of the world. What about art? is the associate producer of the event that has seen in 2016 more than 140,000 visitors in 4 days.
Dhaka Art Summit 2016, Installation view, Photo courtesy of Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter.
Shakuntala Kulkarni, Julus, 2015, 4-channel video installation with sound, 'Solo Project'. Courtesy of the artist and Chemould Prescott Road, Bombay. Photo courtesy of Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter.
Haroon Mirza, The National Apavilion of Then and Now, 2011, LED, foam and sound, 'Solo Project'. Courtesy of the artist and Lisson Gallery, London. Photo courtesy of Dhaka Art Summit and Samdani Art Foundation. Photo credit: Noor Photoface.
From left: Raqib Shaw, The Adoration (After Jan Gossaert) (2015-2016), courtesy of the artist and White Cube; Chair (used for ceremony-from The Palace of Dinajpur Maharaja, 19th Century, from the collection of the Bangladesh National Museum); and Kashmiri Shawl (from the collection of Raqib Shaw) at the Raqib Shaw exhibition, co-curated by Diana Campbell Betancourt and Dr. Maria Balshaw and the artist. Photographer: Noor Photoface.
Raqib Shaw, Kashmir Danaë (After Gossaert) (2017) at Raqib Shaw exhibition, co-curated by Diana Campbell Betancourt and Dr. Maria Balshaw and the artist. Courtesy of the artist and White Cube. Photographer: Noor Photoface.
Apichatpong Weerasethakul and Chai Siris, Dilbar, single channel video-projection on glass screen with sound, 2013.